Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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George Frederick watts,O.M.,R.A.
Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)

ID: 25418

George Frederick watts,O.M.,R.A. Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)
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George Frederick watts,O.M.,R.A. Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)


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George Frederick watts,O.M.,R.A.

1817-1904 English painter and sculptor. He studied at the Royal Academy and in Italy, where he developed an enthusiasm for Renaissance painting and Greek sculpture that greatly influenced his work. He executed several decorative commissions, including his large fresco Justice (Lincoln's Inn, London), modeled after Raphael's School of Athens. Many of his allegorical pictures are in the Tate Gallery, London. The National Portrait Gallery, London, contains a large collection of his portraits of eminent contemporaries. The Metropolitan Museum has his Ariadne in Naxos.  Related Paintings of George Frederick watts,O.M.,R.A. :. | The Bridge | Tileworks in the Principe Pio Mountains | A bedroom interior with a young girl holding a song bird | Four Bull | A Baptism |
Related Artists:
Johann Rudolf Huber
Johann Rudolf Huber (April 21, 1668; February 24, 1748) was an eminent Swiss portrait artist. Among his famous subjects were Charles III William, Margrave of Baden-Durlach, Joseph I, Holy Roman Emperor and Albrecht von Haller .
Bernhard Gutmann
German (Resident in U.S) 1869-1936
Thomas Heaphy
English Painter, 1775-1835 He trained at John Boyne's drawing school in Gloucester Street, Bloomsbury, London, and exhibited portraits at the Royal Academy from 1797. Following the success of a portrait of the Russian ambassador, Count Woronzow, he was appointed portrait painter to the Princess of Wales. Thomas Lawrence observed Heaphy's success and bought some of his pictures but had little cause to envy Heaphy's style, which owed much to the vocabulary of civic portraiture popularized by Joshua Reynolds (e.g. Portrait of a Naval Officer; London, V&A). Heaphy's largest project, The Duke of Wellington in Consultation with his Officers Previous to a General Engagement (Newcastle upon Tyne, Laing A.G.), was begun in Spain in 1813 during the Peninsular War and was finished in 1816. The engraving, which was intended to ensure Heaphy's fortune, was not released until 1822, by which time interest in the war had waned. Heaphy failed to finish his Battle of Waterloo (1816; untraced), another panoramic multiple portrait. Heaphy's other speciality, paintings of ports, markets, tradespeople and labourers, brought him great popularity between 1807 and 1811.






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